If this were ever to come together, I would only consider my controbution(SP) as a back up. I really don't think I could hold back color. The music then would become Just Sound ,with no emotional feelings. Having done my share of studio time, I can tell you thats what the musicians look forward to and the studio engeneers are aware of this as well FEELINGS . However I would be willing to try provide color with NO RESTRICTIONS. My efforts would be just to provide feelings, not to crowd the players, and be a show off.Thats not in my make up at all. I'm like what one would call a studio musician that contributes. I would NEED to know ,and a sampling of the engeneer tactics before I would commit to a project like this.In other words I wouild like to hear a sampling of your techniques(sp). Would let my E.mail address open for you to reply when your ready to embark on this voyage. Reguards LOU
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Today's Featured Article - Third Brush Generators - by Chris Pratt. While I love straightening sheet metal, cleaning, and painting old tractors, I use every excuse to avoid working on the on the electrics. I find the whole process sheer mystery. I have picked up and attempted to read every auto and farm electrics book with no improvement in the situation. They all seem to start with a chapter entitled "Theory of Electricity". After a few paragraphs I usually close the book and go back to banging out dents. A good friend and I were recently discussing our tractor electrical systems when he stated "I figure it all comes back to applying Ohms Law". At this point
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